An American Pickle is often short on laughs, but it has more than enough heart to compensate.

Peninsula is a wacky standalone sequel that doesn’t quite manage to marry camp and drama in a meaningful way.

Dave Franco has a decent career ahead of him based on his horror-fest directorial debut of The Rental.

My Spy is both sappy and occasionally clever, led by two charismatic and likable leads.

Andy Samberg and Cristin Milioti bring gravitas to a silly-but-totally-works premise in Palm Spring.

Tom Hanks is as enigmatic as ever in Greyhound, amid a sometimes tepid and generic script.

Hamilton as a production may have flaws, but this adaptation is a great way to experience it, and I hope more plays follow suit.

More than just a sci-fi romp, The Vast of Night transports you to a believable world.

There aren’t enough laughs to last a full two hours, but Eurovision Song Contest has heart.

Moss is mesmerizing as usual, but quite a bit of Shirley is much ado about nothing when she’s not on screen.