Peninsula is a wacky standalone sequel that doesn’t quite manage to marry camp and drama in a meaningful way.

Dave Franco has a decent career ahead of him based on his horror-fest directorial debut of The Rental.

My Spy is both sappy and occasionally clever, led by two charismatic and likable leads.

Andy Samberg and Cristin Milioti bring gravitas to a silly-but-totally-works premise in Palm Spring.

Tom Hanks is as enigmatic as ever in Greyhound, amid a sometimes tepid and generic script.

Hamilton as a production may have flaws, but this adaptation is a great way to experience it, and I hope more plays follow suit.

More than just a sci-fi romp, The Vast of Night transports you to a believable world.

There aren’t enough laughs to last a full two hours, but Eurovision Song Contest has heart.

Moss is mesmerizing as usual, but quite a bit of Shirley is much ado about nothing when she’s not on screen.

Greer gives it her all as usual, but there isn’t enough material here to support Good Boy as a feature film.