For those willing to throw the desire for outright explanations to the wind and dip their toes into atmosphere as a living metaphor for real fears, Relic is a well made haunt that creates a phantom sense of creepy crawlies.

Wanting to bring something new to the Blair Witch lore, the game took a giant swing at a story it had no business trying to tell. Though it has some decent scares and mechanics, strip the “yikes” of a story away and you’re left with a basic linear game full up with bugs.

More than just a sci-fi romp, The Vast of Night transports you to a believable world.

Moss is mesmerizing as usual, but quite a bit of Shirley is much ado about nothing when she’s not on screen.

Greer gives it her all as usual, but there isn’t enough material here to support Good Boy as a feature film.

Kevin Bacon tries to give weight to the material of You Should Have Left, but this adaptation is missing a few screws.

The straightforward short hit game style makes the case for itself and games like it. It’s not completely revolutionary, but it successfully adapts the PC to VR game to the console and makes for a good time.

Daymare 1998 is true to it’s name in all the worst ways. Uninspired, dreadful to play, and not the least bit scary.

Brendan, Jordan, Lindsay, and Alex discuss the bizzare videogame sequel to Cannibal Holocaust, strange Overwatch leauge happenings, and the nature of leaks in the videogame industry.

Predator: Hunting Grounds is a game that feels like a good idea that failed to materialize. I can only recommend the game for serious fans of the long-running franchise; or those who can wait around for the game to develop post-launch.

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